Serious Games: Documentary Art Between Fact and Fiction

With films by Harun Farocki, Werner Herzog, Mario Pfeifer, and Hito Steyerl

National Gallery of Art, Washington, D.C. in association with Geothe-Institut Washington

Curator

Still from Serious Games I – IV by Harun Farocki, 2010

Various cinematic genres and movements over the years have laid claim to truth in cinema — the actualités of the Lumière brothers, Kino-Pravda espoused by Dziga Vertov, the “ethnofiction” anthropological films of Jean Rouch, and the “ecstatic truth” of Werner Herzog’s documentaries are but a few examples. Although the documentary is still a viable cinematic genre, many filmmakers have now expanded the range of their practice to create works that cross between art and anthropology, documentary and fiction, education and entertainment, and galleries and movie theaters.

Serious Games: Documentary Art between Fact and Fiction explores a cross section of documentary practice by German filmmakers and artists focusing on the subject of war and conflict. Blurring the boundaries between fact and fiction, these works also demonstrate the fluidity of exhibition practice between the black box of the cinema and the white cube of the gallery. Presented in association with the National Gallery of Art, with special thanks to Zachary B. Feldman for organizing the program.

More information here.

Download the Summer 2019 film program at the National Gallery of Art here.